"If God is a DJ, life is a dance floor, love is the rhythm, you are the music"

Saturday night was about as perfect as they come.

Why?

Because for only the third time in my concert-going life, I got to see Bruce play in Asbury Park. And in my world, that is truly as good as it gets.

If you’re not one of my fellow Bruce fanatics, I know that you don’t understand the significance of this. And you’re probably rolling your eyes and saying, “Here she goes, talking about Bruce again.” But hear me out, I’m going to try and explain it.

Wikipedia defines religion as “a set of beliefs concerning the cause, nature, and purpose of life and the universe, especially…human beings’ relation to that which they regard as holy, sacred, spiritual, or divine.”

Keeping in mind the one infallible tenet of the universe that Wikipedia is NEVER wrong, I think that music can fall into the category of a religion.

Go with me on this. Picture music as a religion. I mean one of the big religions, not some little weirdo one like that church of body modification (it’s real… bizarre, but real) or a cult like Scientology or Jews for Jesus, but as a real, legitimate religion.

(Note: if you’re easily offended by people mocking religion, you probably don’t want to read the rest of this post… And if you ARE easily offended and DO read the rest of this post despite my warning, please don’t post your comments about how I’m a heathen because I’m just going to delete them. Yes, I have that power. Which I suppose makes me the god of this blog. Insert evil laughter here.)

Obviously Bruce is at the center of the particular denomination of musical religion that I practice, but just as Islam teaches that Jesus was a prophet, I can see the inherent value of other musical messiahs.

So okay, if Bruce is the deity-figure (I’m going to refrain from calling him Jesus—partially because I think that’s going to offend everyone but the Jews (I’m not as worried about offending Muslims because I’m an American Jewish chick… they’re not reading this anyway and if they are, my very existence is already insanely offensive to them) and partially because I’m Jewish and calling him Jesus just gets too confusing), that would make the members of the E Street Band his disciples. If I had better Photoshop skills, I’d do a version of the Last Supper to illustrate this. But my Photoshop skills are, unfortunately, somewhat limited and I don’t feel like wasting that much time. You get the idea.

Then there are the prophets. These are the other musicians who are heavily influenced by Bruce. (And you could probably make an argument that since Bruce was heavily influenced by Elvis, Bob Dylan, and Chuck Berry, among others, they could figure into some Father/Holy Ghost type analogy, but I don’t know enough about Christian theology to really flesh that out.) So in that group would be the Gaslight Anthem, Jesse Malin, Tom Morello, Eddie Vedder, Social Distortion etc. All of them are ABSOLUTELY worth going to see in their own right, but their music/styles contain some elements of the Bruce gospel.

We also have the scholars, who, like biblical scholars, interpret the word of our deity and pass these interpretations on to the masses. Some, like Chris Phillips and Dave Marsh, are established as being the authorities (love them or hate them, the Bruce camp has cemented their position by giving them super exclusive interviews), whereas others learn from these teachings and put their own spin on what they’ve taken from Bruce. You can find these scholars in many places, from BTX to Greasy Lake and everywhere in between. Some are strict and believe that only their interpretation is legitimate, whereas others are more welcoming of new points of view. (Think of the difference between ultra-orthodox Jews and reform Jews—you find the same kind of argument about what makes someone a “real” fan on BTX pretty often.)

I, as someone who has written a book in which the characters meet following Bruce and as someone who blogs about his importance in my life fairly often, fit into the scholar group, although I’m still a novice by most standards. My father was the one who introduced me to Bruce and he was the one who started taking me to shows, and it is a pretty male-dominated scene among the heavy-duty Bruce fans. And in my debut work, Beyond the Palace, I told the story from the point of view of a guy.

Which, of course, makes me Yentl.

(No one but my mother laughed at that, but it amused me. Papa, can you hear me?)

But the best part about travelling to our Jerusalem (Asbury Park) to worship at the holiest of holy sites, isn’t even that Bruce showed up. (Don’t get me wrong, that was absolutely unreal.) No, the best part is the feeling of community among the true Bruce fans at a show. Because I don’t care what people on BTX say makes you a real fan versus a fair-weather fan; when you’re at a show in Asbury Park and the lights have dimmed and there’s even the slightest whisper in the air that Bruce could be there that night, you’re with your family.

That feeling struck me several times Saturday night, well before Bruce took the stage. I had conversations with a whole bunch of different people who had been at the same shows I’d been at, who had the same bootlegs, who loved the same other musicians, and who felt the same things that I felt being there that night. And that sense of community and belonging is the reason so many people go to synagogue or church week after week. It’s to feel a part of something bigger and to be with people who believe in the same things you believe in and have faith in the same things you put your faith in.

No, I don’t literally worship Bruce. I’m actually a fairly observant Jew, and I understand that comparing music to religion is a stretch for those who don’t feel the way that I do. But the reason that I think it’s an apt comparison is that it has given so much to my life and to who I am as a person. And Saturday night at the Paramount Theatre was where I truly felt that I was home. And I can only hope that all of you who read this have a place where you can feel that same sense of acceptance and belonging.

And I REALLY hope that 2011 brings a new tour. Because I’m already eagerly anticipating my next religious experience.

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