I’ll always love Bruce Springsteen… but we’re seeing other people too

Every time anyone mentions Bruce Springsteen’s name, everyone who knows me has to call me to tell me. Well, okay, not EVERYONE. The people who know me WELL usually text me instead because they know how much I hate talking on the phone if I’m not driving or shopping. (Don’t judge, it’s an ADD thing.)

For example, when Bruce played the Super Bowl halftime show a couple years ago, I got approximately 987,426 text messages saying “It’s Bruce!!!!!”

Which meant that I spent the entire second half of the game typing “Thank you, Captain Obvious,” approximately 987,426 times.

No, not really. I’m nicer than that in real life. Which is why I actually have some friends. (Yes mom, I have friends. Real ones.)

But that happens every time Bruce’s name is mentioned in conjunction with anything. And while I appreciate that people think of me, it makes me feel like everyone is convinced I’m a crazy stalker fan.

Which I’m totally not.

Stop laughing.

Stop it right now.

I’m not!

Granted, I’ve been to Asbury Park so many times that the bouncers at the Stone Pony know me on sight. And I can find Bruce’s house on Google Maps. And three of the coolest moments of my life were the two times he called me “sweetheart” and the time he pointed at me on the line “where the girls are pretty” in “Darlington County.” And yes, the characters in my first novel meet following Bruce on tour (because they say to write what you know). And I named my dog Rosalita so I could say “Rosie come out tonight” when it’s time to take her out.  And you can see me right in front in this video.

But it’s really not as bad as people think.

In fact, I’m going to tell you a little secret: my current playlist that I’ve been updating and listening to for months now only has two half Bruce songs on it.

(I count a half song as when he guested on someone else’s album, but it’s not his song and he’s just doing some of the vocals/guitar work.)

(And the two songs are Jesse Malin’s “Broken Radio” and the Dropkick Murphys doing “Peg O’ My Heart,” both of which are awesome and you should check them out if you don’t already have them.)

Right now you’re probably asking, “What happened, Sara? I thought that Bruce was all you listened to!”

Well, you thought wrong. Sorry to disappoint. But while Bruce bootlegs make up a huge percentage of my iTunes library, his music makes up a small percentage of what I’m actually listening to these days.

Now okay, that’s subject to change when there’s a new album coming out and/or he’s on tour. But right now, with nothing new officially in the works, he’s not getting a lot of airtime in my house or car.

Don’t get me wrong, I still love him and always will. He was my first musical love, and he’s always going to hold a special place in my heart for that reason. (See my blog post about how I got into his music and what it’s meant to me over the years if you want that story.) But before I got into Bruce, my favorite bands were Third Eye Blind, Matchbox 20, and Better than Ezra. I know, I know. Fail on all counts. Even trying to explain that it was the mid-late 1990s doesn’t really justify it. All I can say was that I was a dumb kid who didn’t know any better.  Although I should have, considering the chick on the cover of the first Third Eye Blind album was literally smacking herself in the face like she’s thinking “WTF am I doing on THIS album cover?!?!?!”

And then I met Bruce (metaphorically. Still haven’t really MET him… and I’m 100 percent positive that I’ll make a fool out of myself when I someday do… they’re probably going to need security to pry me off of him. Although I do think that most 61-year-old guys wouldn’t mind getting a hug from me… but I digress). And everything changed. And I’ll admit, for a few years there, he was pretty much all I listened to. It’s like how it always is in your first REAL relationship. You get totally wrapped up in the relationship, spend every waking moment together, and forget all your friends. We’ve all done it. I did that with my first serious boyfriend and I did it with Bruce. Unlike with John, however, Bruce and I have stayed close even once we were no longer exclusive. And I will always love him.

But I think the most important thing that came out of my relationship with Bruce is that he opened the door to the world of music for me. He was my gateway drug. And that may be the only place in the world where you see Bruce compared to pot. But you get the idea.

I was asked recently if I’d listened to the Bruce and Little Steven interview from a few weeks ago yet. And I actually haven’t. In fact, and I’m going to get blasted on BTX for this (the Bruce message board for those of you who haven’t had an all-consuming relationship with Bruce), but I haven’t even watched the Houston concert from the Darkness box set yet. (Don’t worry, I watched the Paramount footage—I just haven’t found the time to invest in watching a full concert yet. I’m sorry. I’ll watch it soon, I promise. Please don’t shun me, BTXers!)

And to be fair, a lot of what I’m listening to right now could be considered to be derived from Bruce. My current playlist’s top artists (based on having more than five songs on the playlist… there are a lot of others on there too) are Jesse Malin, the Gaslight Anthem, Frank Turner, and Fake Problems. Let’s trace the genealogy here: I started listening to Jesse Malin because Bruce guested on his album Glitter in the Gutter in 2007. I started listening to the Gaslight Anthem (who have a million Bruce references on their second album, The ’59 Sound) because Jesse Malin talked them up on Facebook when they were on tour together and because Bruce played with them in London. And I started listening to Frank Turner and Fake Problems because they both opened for the Gaslight Anthem at shows that I was at. And I’m loving every song that I’m listening to.

Will I ever stop loving Bruce? Doubtful. He’s been a tremendous influence in my life and I can’t imagine that would ever go away. But we’re both allowed to see other people now. So if you stop by my house or ride in my car (and in either case, I truly hope I know you… if you’re one of my like six random fans who I don’t know, please don’t suddenly show up in my house or car one day. Seriously. I’m totally pepper-spraying you if you do. Nothing personal. It’s just creepy.) and Bruce ISN’T playing, don’t worry. I’m not going through some weird existential crisis. I’m just experimenting with the other music that Bruce turned me on to.

And to all of my Bruce fan friends, don’t worry, I’ll still see you further on up the road… as soon as he’s touring again.

"If God is a DJ, life is a dance floor, love is the rhythm, you are the music"

Saturday night was about as perfect as they come.

Why?

Because for only the third time in my concert-going life, I got to see Bruce play in Asbury Park. And in my world, that is truly as good as it gets.

If you’re not one of my fellow Bruce fanatics, I know that you don’t understand the significance of this. And you’re probably rolling your eyes and saying, “Here she goes, talking about Bruce again.” But hear me out, I’m going to try and explain it.

Wikipedia defines religion as “a set of beliefs concerning the cause, nature, and purpose of life and the universe, especially…human beings’ relation to that which they regard as holy, sacred, spiritual, or divine.”

Keeping in mind the one infallible tenet of the universe that Wikipedia is NEVER wrong, I think that music can fall into the category of a religion.

Go with me on this. Picture music as a religion. I mean one of the big religions, not some little weirdo one like that church of body modification (it’s real… bizarre, but real) or a cult like Scientology or Jews for Jesus, but as a real, legitimate religion.

(Note: if you’re easily offended by people mocking religion, you probably don’t want to read the rest of this post… And if you ARE easily offended and DO read the rest of this post despite my warning, please don’t post your comments about how I’m a heathen because I’m just going to delete them. Yes, I have that power. Which I suppose makes me the god of this blog. Insert evil laughter here.)

Obviously Bruce is at the center of the particular denomination of musical religion that I practice, but just as Islam teaches that Jesus was a prophet, I can see the inherent value of other musical messiahs.

So okay, if Bruce is the deity-figure (I’m going to refrain from calling him Jesus—partially because I think that’s going to offend everyone but the Jews (I’m not as worried about offending Muslims because I’m an American Jewish chick… they’re not reading this anyway and if they are, my very existence is already insanely offensive to them) and partially because I’m Jewish and calling him Jesus just gets too confusing), that would make the members of the E Street Band his disciples. If I had better Photoshop skills, I’d do a version of the Last Supper to illustrate this. But my Photoshop skills are, unfortunately, somewhat limited and I don’t feel like wasting that much time. You get the idea.

Then there are the prophets. These are the other musicians who are heavily influenced by Bruce. (And you could probably make an argument that since Bruce was heavily influenced by Elvis, Bob Dylan, and Chuck Berry, among others, they could figure into some Father/Holy Ghost type analogy, but I don’t know enough about Christian theology to really flesh that out.) So in that group would be the Gaslight Anthem, Jesse Malin, Tom Morello, Eddie Vedder, Social Distortion etc. All of them are ABSOLUTELY worth going to see in their own right, but their music/styles contain some elements of the Bruce gospel.

We also have the scholars, who, like biblical scholars, interpret the word of our deity and pass these interpretations on to the masses. Some, like Chris Phillips and Dave Marsh, are established as being the authorities (love them or hate them, the Bruce camp has cemented their position by giving them super exclusive interviews), whereas others learn from these teachings and put their own spin on what they’ve taken from Bruce. You can find these scholars in many places, from BTX to Greasy Lake and everywhere in between. Some are strict and believe that only their interpretation is legitimate, whereas others are more welcoming of new points of view. (Think of the difference between ultra-orthodox Jews and reform Jews—you find the same kind of argument about what makes someone a “real” fan on BTX pretty often.)

I, as someone who has written a book in which the characters meet following Bruce and as someone who blogs about his importance in my life fairly often, fit into the scholar group, although I’m still a novice by most standards. My father was the one who introduced me to Bruce and he was the one who started taking me to shows, and it is a pretty male-dominated scene among the heavy-duty Bruce fans. And in my debut work, Beyond the Palace, I told the story from the point of view of a guy.

Which, of course, makes me Yentl.

(No one but my mother laughed at that, but it amused me. Papa, can you hear me?)

But the best part about travelling to our Jerusalem (Asbury Park) to worship at the holiest of holy sites, isn’t even that Bruce showed up. (Don’t get me wrong, that was absolutely unreal.) No, the best part is the feeling of community among the true Bruce fans at a show. Because I don’t care what people on BTX say makes you a real fan versus a fair-weather fan; when you’re at a show in Asbury Park and the lights have dimmed and there’s even the slightest whisper in the air that Bruce could be there that night, you’re with your family.

That feeling struck me several times Saturday night, well before Bruce took the stage. I had conversations with a whole bunch of different people who had been at the same shows I’d been at, who had the same bootlegs, who loved the same other musicians, and who felt the same things that I felt being there that night. And that sense of community and belonging is the reason so many people go to synagogue or church week after week. It’s to feel a part of something bigger and to be with people who believe in the same things you believe in and have faith in the same things you put your faith in.

No, I don’t literally worship Bruce. I’m actually a fairly observant Jew, and I understand that comparing music to religion is a stretch for those who don’t feel the way that I do. But the reason that I think it’s an apt comparison is that it has given so much to my life and to who I am as a person. And Saturday night at the Paramount Theatre was where I truly felt that I was home. And I can only hope that all of you who read this have a place where you can feel that same sense of acceptance and belonging.

And I REALLY hope that 2011 brings a new tour. Because I’m already eagerly anticipating my next religious experience.

Greetings From Asbury Park, New Jersey–the REAL Jersey Shore

A couple of times a year, I hop in the car and take the three-and-a-half hour drive to my own personal Mecca.

No, I don’t mean the DSW headquarters or the Stila cosmetics factory (both of which I would LOVE to go to though… road trip anyone?). I mean Asbury Park, New Jersey.

Now I know that when I say any destination on the Jersey Shore is my version of Mecca, you’re immediately picturing steroid-filled, spiky-haired, Ed Hardy-wearing, drunken guidos and their silicone-filled, hair extentioned, whore-y female counterparts. But none of those stereotypes are actually FROM the Jersey Shore. They just migrate there in the summer like really obnoxious birds that you can’t dislodge from your trees no matter how hard you try.

So Saturday night, I took “that drive, cross the river to the Jersey side” to see Jesse Malin perform at the Stone Pony. I’d seen him Wednesday night in the DC area and when I talked to him after, he told me that I should try to make it to the Asbury show. He did tell me that Bruce wasn’t a definite, but that didn’t matter, nor did it matter that in the end, Bruce didn’t show up. Because that’s not why I wanted to go. The truth is that you don’t have to work very hard to convince me to go to a concert (especially when it’s Bruce, the Gaslight Anthem, or Jesse Malin, who are my three favorite live performers), and it takes even less convincing to get me to Asbury Park.

Before you misunderstand me, I feel the need to point out that Asbury Park is still pretty shady. It’s kind of the polar opposite of my other Jersey Shore destination (my uncle’s shore house in Avalon), which is like the Disney version of the Jersey Shore (very clean, very safe, a pain in the ass to get to, and WAY overpriced in every possible way). In fact, if Avalon is Disney World, Asbury Park is Chuck E. Cheese. (Which would make Seaside Heights, where Jersey Shore is filmed the equivalent of the old Wild World Water Park in Prince Georges County, before it became the Six Flags, when it was dirty and disgusting and always had an alarming vomit-to-water ratio in all of the water rides.) It’s gritty, and you’re far more likely to encounter a giant rat than Mickey Mouse (because I don’t care what anyone says, Chuck E. Cheese is a rat).

But to a diehard Springsteen fan, it’s home.

Asbury Park, in fact, despite being a little scary at night (and sometimes during the day), is the ONLY place (other than my uncle’s house), where I can feel like I’m NOT a freak for how much I love Bruce. In Asbury, even on a non-concert day, I’m a lightweight. So part of why I love it is probably because it makes me feel more normal than any place in the DC area ever could.

But that’s not why I go there so often.

And no, it’s not because there’s always the off-chance that Bruce could pop up wherever you are there (which has only happened to me once in the six years that I’ve been going there. I have terrible Bruce-spotting luck. Although he DID stop his car and say hi to me the one time he WAS there at the same time as me—because he CLEARLY loves me too). It’s because everywhere you look, everything you see is straight out of one of his songs.

Granted, it was a little more fun from that perspective back before they started revitalizing the town, but even with many of the major landmarks gone, Asbury Park still holds a special place in the heart of all of the “tramps like us” who were “born to run.”

The funny thing for me is that Asbury Park’s “Glory Days” were long over by the time I was born (nevermind when that was. It was decades after Asbury Park’s heyday, let’s leave it at that). I never got to see the Palace when it was open (although I was there the week before they tore it down, which is when I got the photos that would later become the front and back covers of my first novel, Beyond the Palace).

The Palace, after the back was already demolished, May 2004

By the time I got to the Circuit, the northern end of it had already been closed off by the water plant. Madam Marie was no longer telling fortunes in her shack on the boardwalk (although a year ago, her granddaughter DID do a tarot card reading for me there, which was ridiculously cool, even though I don’t believe in that stuff).

Kids busking outside Madam Marie’s, May 2004

There was no joint underneath the boardwalk where girls could promise to unsnap their jeans (although before the town turned around in the last couple of years, there WAS an abundance of prostitutes who would probably have been willing to act out any Bruce-related fantasy for the right price). And that “giant Exxon sign that brings this fair city light” was a poorly paved asphalt lot by the time I got there.

The Casino, May 2004

I described the scene that first greeted me in Asbury Park in a chapter of Beyond the Palace, through the eyes of my two main characters:

Asbury Avenue brought us into the city itself. I had taken over driving after we stopped at a rest stop on the New Jersey Turnpike, but Laura told me to pull over as soon as we saw the Palace Amusement complex looming on the horizon, its cracked and peeling green façade rising abruptly out of the flat seaside landscape. Commanded is a little closer to what she actually did. I thought she wanted to get out and walk around, so I looked for a parking lot, but she told me that the side of the road was fine. We had only seen a couple of cars on the road since coming into town, so I obliged. Laura hopped out of the car practically before I brought it to a complete stop. She ran around to the driver’s side and opened my door before I could open it. “I want to drive the circuit,” she said, excitement showing in every curve of her body. The circuit was no longer really a circuit by the time we got there in 2003, as the water purification plant at 8th Avenue effectively closed that end of it, but we had heard Bruce’s stories from concert bootlegs. In the 1970s, four one-way streets formed a sort of hangout/racetrack through town, where girls would “comb their hair in rearview mirrors” and the boys tried “to look so hard.” The Palace was a crumbling landmark from Bruce’s songs, a testament to his city of ruins. But the circuit was where you could still find the Bruce from Born to Run and Darkness on the Edge of Town. Driving it was something that we knew he had done. And I knew that Laura would want to give me a chance to drive it too, so I had no problem letting her take her turn first.

She pulled the car into drive and took us slowly down Asbury to Ocean Avenue, where we passed the Casino. She had timed her mix almost perfectly. The next song was “Sandy,” which was about the attractions on the circuit and the beach. We made our way past the rotting hulk of the Casino, which had been an arcade with an arm that jutted out onto a pier in better days, but that part had long since washed away. We could see the boardwalk to our right, and the legendary Stone Pony to our left. Past a bizarre, rusted, half-finished high-rise, past Lance and Debbie’s Wonder Bar, which Clarence once owned, past the Howard Johnson’s, orange and space-age looking in its un-maintained 1960s splendor. Convention Hall rose up on our right, by far the nicest building in town, which wasn’t saying much. Facing the end of the circuit, we turned down 7th Avenue to Kingsley Avenue, and again Laura’s mix proved perfect, as the opening line of the next song was about driving down Kingsley and deciding to stop for a drink. Laura looked around in wide-eyed wonder. She drove us down to where we had started and then we switched seats and went back around the same course, this time with me driving. After a full lap, I looped back to park near the Stone Pony so that we could walk around and explore the town.

Laura usually left the top of her car down with the windows up on nice days, and this certainly qualified. Her car had a strong alarm system, and no one could really reach anything with the windows up. But Laura started putting the top up before I could even suggest it. This didn’t look like the kind of town where it was smart to leave anything remotely accessible if you ever wanted to see it again. Not that there was anyone around to steal anything. We got out of the car and I walked immediately around to Laura’s side. It was creepy. We hadn’t seen a living soul yet. It looked like no one had lived there for about twenty years. The only signs of life were a few old, dilapidated cars parked near the Pony.

Laura dug into her purse for quarters to feed the meter and I fished two out of my pockets. Laura inserted one with a dull clink, then peered at it.

“Shit,” she said idly. “Broken.” She looked at me and shrugged. “I’ll move the car.” I looked around. There was a sea of empty spaces and the meters looked older than us. No flashing red lights to show which had expired here. Laura started to climb back into the car, but I stopped her.

“Let’s find a working meter first,” I said. I went to the one next to the one Laura had tried. It was expired. I put a quarter in, but nothing happened. I tried the one next to that, and again, nothing. Laura started to look amused. She tried the one on the other side of the car. Looked at it curiously. Then tried one more.

“They’re all broken!” she exclaimed. “Does that mean we can just park here?” I looked around. Even the asphalt of the parking lot looked older than dirt. Stringy grass sprouted up in large clumps all around and a rainbow of brown and green broken bottles glittered in the sunlight.

“Yeah,” I said finally. “If we get a ticket, I feel like this place needs the money more than we do.” Laura smiled weakly and nodded. I don’t think she had expected it to be quite this bad. We knew it would be fairly rundown, or else Bruce couldn’t have written a song about it that would later be used to describe New York after September 11. But we hadn’t imagined the level of devastation that we actually found there. We didn’t know how dead a place could feel.

I felt disappointed too, but I wanted Laura happy again. “Let’s go exploring.” She nodded again and hooked her camera strap across her body as we set off toward the Palace of “Born to Run” fame. An exceptionally seedy-looking motel stood on the corner of Kingsley and 2nd Avenue. Laura stopped and stared at it. I turned and looked at her while she worked out whatever she was thinking. Finally, a huge smile spread across her face. I turned and looked where she was looking. A battered sign read “The Flamingo Motel.”

“Do you see it?” Laura asked. I looked more carefully. It looked like the sign had fluorescent lights along the looping words once, but if they had been there, they were long gone now. Pink, fluorescent lights, I would assume, to go with the Flamingo part. She watched me expectantly, but I shrugged. I didn’t know what she wanted me to see.

“What if I said ‘Flamingo Lane’?” she asked, hinting. Flamingo Lane? A line from “Jungleland.” Off Born to Run. The two lovers “take a stab at romance” and vanish “down Flamingo Lane.”

“Oh!” I said as I realized what she was getting at. Flamingo Lane wasn’t a street. Disappearing there meant getting a room at this motel. It was one of the many things that both of us loved about Bruce. His songs were poetry. If you didn’t look deeper, Flamingo Lane could be a street somewhere. If you did, the story became a love affair, with the sax solo acting as the un-vocalized verse that represents the culmination of that passion in this little dive motel. But it doesn’t matter that it’s a dump, because to them, it’s beautiful; it’s not a motel anymore, it’s a whole world that they can disappear into.

Laura beamed at me. “That is just the coolest thing ever.” She took my hand and pulled me across the street. “We have to check this out!” But the Flamingo, like just about everything else in town, was closed. Laura’s smile faded quickly.

I did have an ace up my sleeve, even though I hadn’t expected to have to play it that soon. I leaned down to whisper into her ear. “We’re less than a couple hundred feet from where Bruce will probably be tonight.” She smiled again and turned back to face me. She looked at me for just a second too long, her face a little too close to mine. I hesitated. She pulled back, kissed me noisily on the cheek, then turned away to walk down Kingsley toward the Palace. If she had stayed a second longer, would I have had the nerve to kiss her? Would she have let me? Doubtful, but I couldn’t help but wonder. She was halfway down the block before I realized I had better catch up. Maybe she would have let me kiss her. But there were still no guarantees that she would wait for me when anything involving Bruce was at stake.

The Palace, once one of the largest arcades in the country, was hardly more inviting than the Flamingo had been, as it was closed down in 1988. It was hard to believe, but it had gone way downhill since Bruce shot his video for “Tunnel of Love” there. A chain link fence surrounded the building, keeping vandals and teenagers out. There was barely even any graffiti on the peeling, faded paint; almost as if Asbury Park was so deserted that there weren’t even enough people there to vandalize an abandoned building. Instead, only the weather desecrated this once unmistakable landmark of the Jersey shore. Even the words on the street sign at the corner were faded and missing a letter. We walked around the side of the long-since empty building, reading the attractions advertised on the side in reverent silence. Laura stood in the middle of the road to take pictures without even needing to worry about traffic. The only moving car that we saw since arriving in town passed us as we walked down Kingsley toward the lake that separated Asbury Park from Ocean Grove, which was an entirely different universe. Ocean Grove was populated. Booming. Rich. Alive. Yet one block away, Asbury Park was as decimated as if a bomb had been dropped on it. We both turned to look at the car as it passed. It was the first sign of life that we had seen.

I personally thought that would have to be the worst of it. But the Casino had trees growing inside of it. Literally. Trees. The roof was torn off in some storm in the 1980s and never replaced. The carousel, which had once been world-famous, was sold off piece by piece and the space around it turned into a skate park before the entire building was shut down. By the time we got there, it was completely boarded up, and the only windows that weren’t broken were too high to reach with rocks or even BB guns. The remains of the pier hung perilously over the edge of the beach, guarded by a lone “No Trespassing” sign, which I doubted would have been enforced if people who wanted to trespass ever showed up. Nearer to the edge of the pier, only the frame of the roof remained, with big patches of blue sky visible through the broken windows. Plant life was clearly thriving in that end of the building, but the windows were higher there and there wasn’t a chance of getting a peek inside without a tall ladder.

An empty paint bucket stood near some of the lower windows and I turned it over. “What are you doing?” Laura asked. I climbed onto the bucket.

“Seeing if there’s anything inside.” I grabbed the ledge and pulled myself up enough to see inside. She watched me expectantly as I looked in. But there wasn’t anything exciting to report back. I climbed down and shrugged at her. “Do you want to see?”

She nodded and climbed up onto the bucket, but wasn’t quite tall enough to see, so I picked her up. I held her while she snapped a few shots of the inside through the broken window, and when I put her down, we wandered around to the boardwalk side, where an entire panel of windows was missing and the foliage inside was clearly visible.

Turning away from the Casino on the boardwalk, a ramp to our left led up to nowhere. It just ended about ten feet off the ground. I looked from there to the beach and touched Laura’s arm to get her attention. “There are some people, at least,” I said, pointing toward the beach. Laura looked relieved. The beach was pretty deserted, but a handful of people had also played hooky from work (or maybe in a town like this, they didn’t have jobs to skip out of) and were scattered along the shore, enjoying the beautiful day.

Laura had started down the boardwalk and when I looked at her, her jaw dropped open. “Look! It’s really there!” she almost shouted, pointing toward the Convention Center. She was pointing at a tiny white shack, which was barely noticeable, but a serious attraction for a Bruce fan. It was Madame Marie’s Temple of Knowledge. Madame Marie was a fortune teller who supposedly told Bruce that he was going to become famous. Although, according to Bruce, all musicians in Asbury Park received the same fortune, just not always with the same level of accuracy. She was mentioned in “Sandy” as being arrested for telling fortunes better than the police. Her shack, of course, was not open, nor was there any trace of Madame Marie herself, other than the faded lettering on the white walls of the building, which couldn’t have been more than about eight feet by eight feet. But we had once seen a picture of Bruce standing right in front of that spot. Laura traced a finger over the lettering on the side. She looked disappointed. I think she had expected Madame Marie to be sitting inside, waiting to tell our fortunes.

Today, it’s infinitely better. For starters, there’s a working parking system (wait, that’s not actually a better thing for me on a teacher’s salary!). It’s safer, it’s cleaner, there are cute little stores, and it no longer looks like a third-world country by the sea.

And even though the Palace and most of the Casino are now long gone, and Madam Marie has finally gone to a better place, where the cops can’t bust her for telling fortunes better than they do, Asbury Park remains one of the few places that I’ve ever been to where there still IS “magic in the night.” Whether it’s catching a show at the legendary Stone Pony (which I’ve done often enough at this point that some of the bouncers know me—I feel like that’s NOT a good thing when I live three-and-a-half hours away!), spending a summer day down the shore, or even just “driving down Kingsley, figuring [you’ll] get a drink,” it’s a special town. And even if Bruce never DOES show up while you’re there, he doesn’t need to. Because to anyone who’s ever felt a strong connection to his lyrics, just being there provides you with that “moment when the world seems right.”

Which is why I’m going back in a month for the annual Light of Day show. If I find a ticket. (Hint hint, if you’ve got extras!)

Me after Madam Marie’s granddaughter Sabrina read my tarot carts, just before the 2010 Light of Day show.